DOSSIER |
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| · Presentación: Pervivencias de lo antiguo en América colonial Carneiro, Sarissa
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| · ANACYCLOSIS AND TIME OF MYTH IN HISTORY OF THE INCAS (1572) BY PEDRO SARMIENTO DE GAMBOA Zuleta Carrandi, Joaquín
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| · APOLLO AND DAPHNE: REINVENTIONS OF A MYTH IN EPIC POEMS OF EXPANSION AND CONQUEST Carneiro, Sarissa
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| · HELL AND WAR. IMAGES OF LETHE AND PHLEGETON IN PEDRO DE OÑA’S ARAUCO DOMADO (1596) Accatino, Sandra
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| · GARCÍA HURTADO DE MENDOZA, HÉROE ÉPICO EN EL ARAUCO DOMADO DE LOPE DE VEGA Castro Rivas, Jéssica
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| · A BRIEF APPROACH TO THE LATIN EPIGRAPHY OF THE ELEGIES OF ILLUSTRIOUS MEN OF THE INDIES BY JUAN DE CASTELLANOS Bernadó Ferrer, Gemma
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| · VIRGIL IN THE TROPICS: PERSISTENCE OF THE TROJAN HORSE IN SILVESTRE DE BALBOA’S ESPEJO DE PACIENCIA Marrero-Fente, Raúl
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| · DE MURENAS ENAMORADAS: USES AND ABUSES IN CLASSICAL TRANSLATIO López Parada, Esperanza
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| · MORALIZED SATYRICON: PETRONIUS IN THE WORKS OF ESPINOSA MEDRANO Rodríguez Garrido, José A.
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Presentación. Resonancias del Modernismo brasileño: a 100 años de la Semana de Arte Moderno Errázuriz Cruz, Rebeca; Manzi Cembrano, Jorge
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PRISM AND HISTORICAL MILESTONE: A LITERARY THEORETICAL PERSPECTIVE ON BRAZILIAN MODERNISM AND A COMPARATIVE APPROACH TO CHILEAN AVANT-GARDE Pasini, Leandro
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THOSE TWENTIES, IN BRAZIL: GOOD OLD DAYS OR BAD NEW ONES? Torre-Bruna, Della
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ABOUT THE POEM AS ENFIBRATURAS DO IPIRANGA BY MÁRIO DE ANDRADE Wisnik, José Miguel
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TRANSATLANTIC LIGHTNING RODS: MODERNIST MONTAGE IN SERAFIM PONTE GRANDE Bitencourt, Gabriela
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THE MURAL FORM IN MARCO ZERO I: DIALECTICAL IMAGES OF HISTORY AT A STANDSTILL Errázuriz Cruz, Rebeca
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ENCYCLOPEDIAS AS TOOLS FOR THE BUILDING OF NATIONAL IDENTITIES: MARIO DE ANDRADE’S DRAFT OF THE ENCICLOPÉDIA BRASILEIRA AND THE ENCICLOPEDIA CHILENA Anwandter, Christian
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DI CAVALCANTI DI GLAUBER: A FUNERAL PARTY FOR MODERNISM Serra Azul, Carolina
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ARTÍCULOS |
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| · THE AWAKENING OF ALEJANDRA: THE OBSESSIVE METAPHOR OF THE JAIL Comas Santamaria, Alba
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| · FROM ORFEO TO THE MAENADS: TOWARDS A NOMADIC VIDEOPOETRY IN MARGARITA BECERRA CANO’S THERE IS NO FORGETTING Guerrero-Hernández, Juan Carlos
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| · WAR AND BODY IN CÉSAR VALLEJO’S ESPAÑA, APARTA DE MÍ ESTE CÁLIZ Muñoz Carrasco, Olga
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| · EMOTIONAL INHERITANCE IN PILAR’S MATURING PROCESS IN CRISTINA GARCÍA’S SOÑAR EN CUBANO Osorio Lora, Pilar
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| · MUSICAL EQUIVALENCES IN THE LITERATURE OF FELISBERTO HERNÁNDEZ Patiño Karam, Juan Pablo
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| · BORGES’ DISJUNCTIONS: SOME NOTES ON WAR AND FICTION Plaza, Juan Esteban
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| · PAULS AS CRITIC: THE FORM, ETHICS, AND USES OF AN ANANACHRONISTIC READER Rodríguez Montiel, Emiliano
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| · KANTIAN ECHOES IN JOSÉ ÁNGEL VALENTE’S ESSAYS Ruiz de Gauna de Lacalle, Pol
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| · JUSTICE IS THE GROUND: I-MAGES OF THE (IM)POSSIBLE IN MARLENE NOURBESE PHILIP’S ZONG! San Martín Vásquez, Ángela
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| · PARODY, DIGITAL EXPERIENCE, AND SUBJECT IN ANA OJEDA’S VIKINGA BONSÁI Szaszak Bongartz, Ulla Maia
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| · STOLEN MEMORY: MYTHICAL NARRATION IN LIBERTAD DEMITRÓPULOS’S RÍO DE LAS CONGOJAS Urralburu, Marcelo
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NOTAS |
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| · Aira lector de Deleuze: “continuo” y “literatura pequeña” Incaminato, Natalí
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| · El cuerpo de las mujeres entre la marginalidad y el peligro. Una lectura de Elisa, la rosa inesperada de Liliana Bodoc Indri, Carla María
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| · La cómplice de mi caída: una relación de deseo mimético en la novela En familia del escritor chileno Luis Orrego Luco Vento García, Liany
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RESEÑAS |
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| · JORGE CONSIGLIO. Sodio Bombachi, Tomás Salvador
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| · HARUKI MURAKAMI. Primera persona del singular Castellón Alcalá, Heraclia
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| · PAUL DE MAN y JUDITH PODLUBNE. Barthes en cuestión Garayalde, Nicolás
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