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 número72TRAYECTORIAS MATERIALES Y AFECTIVAS EN LOS CUENTOS “LA COPIA”, DE JOSÉ SANTOS GONZÁLEZ VERA Y “UNA MONEDA AL RÍO”, DE NICOMEDES GUZMÁNHUACHOS, ROTOS Y PUTAS. LA DRAMATURGIA DE VALPARAÍSO FRENTE A LA CUESTIÓN SOCIAL índice de autoresíndice de assuntospesquisa de artigos
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Nueva revista del Pacífico

versão impressa ISSN 0716-6346versão On-line ISSN 0719-5176

Resumo

CALDERON-LE-JOLIFF, Tatiana. El cuerpo racializado del migrante en La fila india de Antonio Ortuño y Ciudad Berraca de Rodrigo Ramos Bañados. Nueva rev. Pac. [online]. 2020, n.72, pp.279-300. ISSN 0716-6346.  http://dx.doi.org/10.4067/S0719-51762020000100279.

Examining the treatment of the body in migration literature in La fila india (2013) by Antonio Ortuño and Ciudad berraca (2018) by Rodrigo Ramos Bañados is the purpose of the following paper. I will use the concept of corpographèse (corpography) as an inscription of the body as meaning, and above all the projection on the racialized body of the political and social dysfunctions of Mexico and Chile. Globalization stimulates migratory flows while denaturing migrant bodies. Violence applied to the migrant body finds a correlate in the rescue of the testimony that the literary text operates. Stateless, the migrant subject can recover his or her place in history and territory as well as acquire a double belonging through the materiality of writing.

Palavras-chave : body; race; migration; illness; materiality; testimony.

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