SciELO - Scientific Electronic Library Online

 
 número102Retórica de la mirada sobre la base de la interculturalidad: cuerpo, lenguaje y otredad en Raúl Zurita y DanteLiteratura emergente del sur de Chile en el siglo XXI. Aproximación a sus repertorios e interrelaciones sistémicas índice de autoresíndice de assuntospesquisa de artigos
Home Pagelista alfabética de periódicos  

Serviços Personalizados

Journal

Artigo

Indicadores

Links relacionados

  • Em processo de indexaçãoCitado por Google
  • Não possue artigos similaresSimilares em SciELO
  • Em processo de indexaçãoSimilares em Google

Compartilhar


Revista chilena de literatura

versão On-line ISSN 0718-2295

Resumo

PERIS BLANES, Jaume. “Second time” and “Graffiti”, by Cortázar. Fantastic poetics for enforced disappeareance. Rev. chil. lit. [online]. 2020, n.102, pp.503-530. ISSN 0718-2295.  http://dx.doi.org/10.4067/S0718-22952020000200503.

This article deals with the way Julio Cortázar used the poetics of the fantastic in two of his stories to give an account of the repressive mechanics of enforced disappearance in Argentina. He “translated to sensitive” the reports presented by various organizations and collectives of Human Rights in which Cortázar had participated, and in which the nature and functioning of the disappearing power in the military dictatorships of the Southern Cone was described in detail. In “Second time” and “Graffiti” Cortázar explored the possibilities of a non-standardized representation of political repression, which captured the paradoxical and dislocating character of the disappearance and alluded, in a complex way, to the profound affective and social impact of the policies of forced disappearance.

Palavras-chave : Cortázar; “Second time”; “Graffiti”; disappearance; fantastic.

        · resumo em Espanhol     · texto em Espanhol     · Espanhol ( pdf )