SciELO - Scientific Electronic Library Online

 
 número51Objetualismo en Juan Luis Martínez: el significante palpableTras los cambios en la poesía: J. L. Martínez índice de autoresíndice de materiabúsqueda de artículos
Home Pagelista alfabética de revistas  

Servicios Personalizados

Revista

Articulo

Indicadores

Links relacionados

Compartir


Estudios filológicos

versión impresa ISSN 0071-1713

Resumen

VASQUEZ, Malva Marina  y  VARGAS, Constanza. The Dispute between Classics vs. Modernists in Umbral by Juan Emar. Estud. filol. [online]. 2013, n.51, pp.99-114. ISSN 0071-1713.  http://dx.doi.org/10.4067/S0071-17132013000100008.

In his narrative, Emar fictionalizes some of the artistic debates of the Chilean cultural life of his times, already discussed in his Writing on Art. Here, we will concentrate in the analysis of the fragment Night 3 of Umbral, which through the construction of a novella-drama (generic hybridism) shows simultaneously both the development of dramatic display as well as its critical reception by the public. This last, conformed by two antagonistic groups which represent the clash between official criticism and the emergence of the Chilean literary Avant-Garde: the conflict between traditionalism or the "metaphysics of tradition" (Jauss) which embodies official criticism and what Emar would call "live art". This article seeks to demonstrate that through the utilization of a parody, the Emarian conception of artistic tradition can overcome the classic controversy between the classics and the modernists.

Palabras clave : classics vs. modernists; parody; artistic tradition; Juan Emar.

        · resumen en Español     · texto en Español     · Español ( pdf )

 

Creative Commons License Todo el contenido de esta revista, excepto dónde está identificado, está bajo una Licencia Creative Commons