Presentation
Espinosa Hernández, Patricia
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 Dossier |
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| | · Writing as a Woman at the Turn of 20th Century: Construction of Genre and Nation Identities in Criticism of Inés Echeverría (Iris) regarding Modern Theatre Production of European Companies in Chile
Hurtado, María de la Luz
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| | · The Inaccessibility of Truth: The Elusive Deer of Identity
Proaño Gómez, Lola
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| | · From Ritual to Theatre Stage in a Pre-Hispanic Indigenous Drama: Rabinal Achí or Danza del Tun
Henríquez Puentes, Patricia
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| | · Chilean Theatre and Anarchism (from the beginning of 20th century to the dictatorship)
Rojo, Sara
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| | · Anarchistic Drama in Chile: An Ideological Discourse?
Pereira Poza, Sergio
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| | · Dialogisim and symptom in Abel from Alexis Moreno
Farah Rodríguez, César
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| Misceláneo |
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| | · City, Television and Fantasies: Alexis Figueroa's Vírgenes del Sol Inn Cabaret
Sepúlveda Eriz, Magda
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| | · On «pulchrum» in the So-Called New Artistic Practices: Xavier Zubiri for Contemporary Art
Silvestri, Ricard
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| | · Pound and Pasolini without Style
Passerone, Giorgio
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| Reseñas |
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| | · Guillermo García-Corales y Mirian Pino El neopolicial latinoamericano y la crónica del Chile actual en las novelas de Ramón Díaz Eterovic
Osorio Tejeda, Nelson
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| | · PSEUDO-LONGINO De lo sublime
García C, Pilar
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| | · Yanko González Alto volta: Falsa(s) conciencia(s)
Gómez O, Cristian
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| | · Karl Valentin Teatro de Cabaret
Garrote, Valeria
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