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ARQ (Santiago)

versión On-line ISSN 0717-6996

ARQ (Santiago)  n.49 Santiago dic. 2001

http://dx.doi.org/10.4067/S0717-69962001004900009 

Design in Chile

What For?

 

Gonzalo Puga Larraín
Designer, Catholic University, Chile 1993. Master’s in Industrial Design, Domus Academy, Milan. Has worked for Samsung, Seoul and Frogdesign, California, and as a researcher and teacher in Domus Academy. He currently works freelance and teaches in the Faculty of Architecture, Design and Urban Studies in the Catholic University.

REFERENCIAS

1 Griffon, Henri. Design et Utopies, Dijon, Hazan, 2000.        [ Links ]

2 Capella, Juli. "Normalitá della differenza-standardizzazione versus unicitá, oggetti uguali-oggetti differenti" in Domus, Nº 781, 1996.        [ Links ]

3 "The 5k Awards" at http://www.the5k.org/        [ Links ]

4 The recent diffusion of their ideas in the West begins in 1962 with the publication in London and New York of Camilla Gray’s The Great Experiment: Russian Art 1863-1922,         [ Links ] and with two London exhibitions, The Non-objective World 1914-1955 in the Annely Juda Fine Art Gallery in July 1973, and Tatlin´s Dream in the Fisher Fine Art Gallery in November of the same year.

5 Castelli, Clino Trini. Transitive Design, Milan, Electa, 1999.        [ Links ]

6 Buur, Jacob. "Japanese methods of design" in Design DK, Nº 2, 1991.        [ Links ]

7 In his book Future Perfect, Stanley Davis         [ Links ]suggests the term mass customization as the combination of mass production and consumer-oriented production.

8 Marzano, Stefano. Creating Value by Design, Blaricum, V+K Publishing, 1998.        [ Links ]

9 Colin, Christine (interview with Elsa Francès). Les "produits de revé", Design et utopies, Dijon, Hazan, 2000.        [ Links ]

10 "Good Goods" (catalogue), La redoute, 1998.        [ Links ]

11 Mari, Enzo. "Autoconstrucción" (Self-construction) in Ottagono, Nº 122, 1997.        [ Links ]