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 número515EL RETRATO DE OSTENTACIÓN DE LAS ÉLITES CHILENAS DEL SIGLO XVIII: GUSTO ARTÍSTICO, ESTILO E ICONOGRAFÍA DE UNA SOCIEDAD EN TRANSFORMACIÓN.ALEIJADINHO, ESCULTOR ÚNICO POR TRES MOTIVOS: VENCIÓ LAS DIFICULTADES INHERENTES AL ARTE, LA ESCLAVITUD Y LA MINUSVALÍA índice de autoresíndice de assuntospesquisa de artigos
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Atenea (Concepción)

versão On-line ISSN 0718-0462

Resumo

ZAMORANO, Pedro Emilio  e  HERRERA STYLES, Patricia. PANORAMA OF THE CHILEAN ARTS DURING THE SECOND HALF OF THE 19TH CENTURY: DEBATES, INSTITUTIONALITY, AND MAIN FIGURES. Atenea (Concepc.) [online]. 2017, n.515, pp.147-162. ISSN 0718-0462.  http://dx.doi.org/10.4067/S0718-04622017000100147.

The Chilean visual-aesthetics scenario during the second half of 19th century was char acterised by the presence of some artists of strong leadership and influence. In this regard, the most paradigmatic examples were José Miguel Blanco and Pedro Lira, in whose relation it is possible to perceive the background of arguments and prominence that line up artists as well as other actors of the cultural institutionality. Thus, in under a narrow aesthetic scenario, relatively standardised by an academic grosso modo im pression, the disagreements took an important place both in the institutional processes as well as in the writing record. In the context of confrontations, the visions and per sonal prominence were as important as the aesthetic-ideological differences.

Palavras-chave : Visual arts in Chile; institutionality; critics; debates.

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