- Citado por SciELO
versión On-line ISSN 0717-6996
In the second half of the 20th century the French group Oulipo defended the profession with great lucidity. They rejected the idea of genius as the engine of creativity, and put their faith in the factory (or the worker): we can all learn to make art. A workshop, a space for exploration, sets out with similar assumptions: one learns by doing, learns in the group, and everyone, always, produces results. This exhibition, celebration of cultural relations between Cataluña and Chile, was produced in a workshop, and thus is also a choral and participative record.
Palabras clave : Exhibition design; exhibitions - Chile; graphic design -Chile; installations.