SciELO - Scientific Electronic Library Online

 
 número12LA CONSTRUCCIÓN DEL DISCURSO IDENTITARIO EN LA ESCENA FINISECULAR: TEATRO Y FIN DE SIGLOLA PEQUEÑA HISTORIA DE CHILE: LA ESCENIFICACION DE LA MEMORIA EN MARCO ANTONIO DE LA PARRA índice de autoresíndice de materiabúsqueda de artículos
Home Pagelista alfabética de revistas  

Literatura y lingüística

versión impresa ISSN 0716-5811

Resumen

RUBILAR SOLIS, Luis. The name of the rose in the poetry of Pablo Neruda. Lit. lingüíst. [online]. 2000, n.12, pp. 21-42. ISSN 0716-5811.  http://dx.doi.org/10.4067/S0716-58112000001200003.

This is an advance of a variable from a doctoral thesis on the factors that shape the identity of Pablo Neruda in his work. His mother-child relationship, the home-life in the Araucanía, the absence and need of the motherly figure, his first readings as a child in Parral, adolescence as a process of identity transformation in his erotic nature. The rose, a feminine name and a vegetable flower, is the key word of his personal references and of his subsequent experiences with different women. Rosauras, Rosías, Rosarios, Rosaledas, Rositas, etc. From Neruda's semantic resources we could appreciate a double identity, between his person and the polysemic messages of his poetry. However, his protoidentity was always intact and unitary

        · resumen en Español     · texto en Español