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(NdT: Sugiero Formatting and Style
of Manuscripts)
CITATION STYLE
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All titles including movies, poems, anthologies,
paintings, movies, photography, sculptures, magazines and newspaper
are written in Italics, both in-text and works cited.
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The general way to use in-text quotation is mentioning
the last name of the author, year of publication, and the relevant
page number, all in braquets, such as in the following example: (Foucault,
1997:143).
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If the author is mentioned in-text, only the year
of publication and the relevant page Lumber is included in the citation,
also in brackets, such as the following example: Michel Foucault (1997:
143) stands that...
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If the paragraph is clear about which author and
what article is being cited, only the relevant page number in brackets
is needed: (143).
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If two or more articles from the same author share
the same year of publication, they must be ordered alphabetically
and must be cited in the text as 1997a, 1997b, 1997c, etc.
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If the quotes are extracts of less than 40 words
these can be put in quotation marks. If more extensive, this must
be written as a different paragraph, justified and with a right margin
of 10 spaces. If the quote is used to emphasize a certain aspect,
make a referencer whether it belongs to the original or not, as in
the following example: According to Heidegger: Only when there is
a word there will be a world; that is, a circular area, with
a radius that is constantly variable, of decisions and procedures,
of acts and responsibilities, and even of arbitrariness and riots,
falls and riots. And only when there’s world, there is history
(1994: 27, this is our own emphasis).
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If the reference extends for more than two pages,
it can be done as the following: (288-9). This means that the reference
belongs to pages 288 and 289.
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Ellipsis in the beginning, middle or end of the
quote must be written with suspension points and a space, all in square
brackets:[...].
FOOTNOTES AND WORKS CITED
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Footnotes with bibliographic references of cited
texts are not appropriate. All bibliographic information must be provided
at the end of the article in a list of references.
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A footnote is only necessary to clarify a concept
or a context that might alter course and the form f the article.
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The final list of references must only include
the titles that were actually quoted.
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The citing style varies according to the nature
of the work: novel, short-story, article, Internet text, video, etc.
The general arrangement of the information is the following:
LAST NAME, NAME OF THE AUTHOR. (Year of publication). Title. Name
of the editor, translator or compiling editor. Consulted edition.
Consulted volume. Place of Publication. Name of the Publishing House.
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The following are some examples for different kinds
of works:
BOOK WITH ONE AUTHOR:
SIMENON, GEORGES. (1995). La amargura del condenado. Trad. de
Joaquín Jordá. Barcelona: Tusquets.
BOOK WITH MORE THAN ONE AUTHOR:
MILLER, TOBY Y GEORGE YÚDICE. (2004). Política cultural.
Barcelona: Gedisa.
[For book with more than three authors, all names can be griten or else
the first name followed and “and others” (et al.)]
BOOK WITH AN UNKWON AUTHOR:
Poema del Mío Cid. (1983). Buenos Aires: Colihue.
BOOK WITH AN AUTHOR AND AN EDITOR:
CAMPBELL, GEORGE. (1988). The Philosophy of Rhetoric. Ed. Lloyd
F. Bitzer. Carbondale: Sothern Illinois UP.
A BOOK EDITED BY ONE OR MORE AUTHORS:
ESPINOSA, PATRICIA (COMP.). (2003). Territorios en fuga. Santiago:
Frasis.
HERLINGHAUS, HERMANN Y MONIKA WALTER (EDS.). (1994). Postmodernidad
en la periferia. Enfoques latinoamericanos de la nueva teoría
cultural. Berlín: Langer Verlag.
MORE THAN ONE BOOK BY THE SAME AUTHOR
CÁNOVAS, RODRIGO. (1997). Novela chilena, nuevas generaciones:
el abordaje de los huérfanos. Santiago: Universidad Católica
de Chile.
—. (2003). Sexualidad y cultura en la novela hispanoamericana:
la alegoría del prostíbulo. Santiago: Lom.
AN ARTICLE IN A COMPILATION:
BURKE, PETER. (1989). History as social memory. En Thomas Butler (ed.),
Memory, history, culture and the mind (pp. 97-113). Oxford: Blackwell.
A SHORT STORY OR A POEM IN AN ANTHOLOGY
Borges, Jorge Luis. (1990). Tlön, Uqbar, Orbis Tertius. En Oscar
Hahn (selecc.), Antología del cuento fantástico hispanoamericano
siglo XX. Santiago: Universitaria.
AN ARTICLE IN AN ACADEMIC JOURNAL
BICKFORD, LUIS. (2000). Human Rights archives and research on historical
memory: Argentina, Chile and Uruguay. Latin American Research Review
2: 160-82.
AN ARTICLE FROM A NEWSPAPER
DOMÍNGUEZ, CHRISTOPHER. (2003). Un acto de reconocimiento: Roberto
Bolaño y literatura mexicana. Diario El Mercurio (Suplemento
Revista de Libros), 19 de julio, p. 5.
A REVIEW
MASSMANN, STEFANIE. (2003). Reseña de La máquina de
pensar de Borges. Taller de letras 33: 136-8.
AN INTRODUCTION, PREFACE OR FOREWORD
HANH, ÓSCAR. (1990). Introducción. Antología
del cuento fantástico hispanoamericano siglo XX. Santiago:
Universitaria.
A TRANSLATION
DOSTOIEWSKY, FEODOR. (2001). Crimen y castigo. Trad. de Rafael
Cansinos Assens. Barcelona: Planeta.
A THESIS OR DISSERTATION
SANFUENTES, OLAYA. (2003). Las primeras imágenes del caníbal
americano. Tesis para optar al grado de Doctor en Historia, Universidad
Católica de Chile.
BROADCAST TELEVISION OR RADIO PROGRAM
SAVATER, FERNANDO. (1995). Entrevista a Fernando Savater. La belleza
de pensar. Director, Francisco Vargas. Conductor, Cristián
Warnken. Canal ARTV. Santiago: VHS.
ELECTRONIC SOURCES
DÍAZ GAJARDO, VÍCTOR. (2002). Fragmentación cultural
y memoria histórica. Obtenido el 6 de mayo desde <http://www.naya.org.ar/congreso2002/ponencias/victor_diaz.htm>
A WEB SITE
UNIVERSIDAD NACIONAL DE QUILMES. (2004). Sitio web de bibliotecas.
Consultado el 23 de agosto desde <http://biblio.unq.edu.ar>
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